Fundamentals and principles of musical telepresence

The idea of playing livemusic with someone abroad represents a major challenge for musicians and sound engineers likewise. Cognitive, technical and purely musical aspects make high demands on a network music performance that should fulfill conditions of a realistic rehearsing scenarios in the same room. In turn the idea of a network music performance has generally been considered as an impracticable application. However, a precise and comprehensive analysis has so far not been published, which equally issue_covers technical, cognitive aspects and their interdependencies equally. In order to give a final and valid statement about the feasibility of distributed real time music we take any of such relevant aspect into consideration and explain it accordingly to the reader. Finally we conclude that in recent wide area networks remote music sessions are possible assuming an awareness of latency conditions and appropriate interaction categories

Proceedings of the Linux Audio Conference 2018

These proceedings contain all papers presented at the Linux Audio Conference 2018. The conference took place at c-base, Berlin, from June 7th - 10th, 2018 and was organized in cooperation with the Electronic Music Studio at TU Berlin

MA Interaktive Medien

Nach erfolgreicher Absolvierung des Bachelorstudienganges »Angewandte Informatik – Digitale Medien und Spieleentwicklung«1 oder eines Bachelor-studiengangs im Bereich Informatik besteht im Rahmen des Masterstudien-ganges »Interaktive Medien« die Möglichkeit, das technisch und medienspe-zifisch geprägte interdisziplinäre Profil weiter zu schärfen. Analog zum er-wähnten Bachelorstudiengang weist auch dieser dreisemestrige Masterstudi-engang einen ausgeprägt medialen und projektorientierten Charakter auf: Ein zentrales, zwei Semester andauerndes Projekt aus dem Bereich der interakti-ven Medien wird durch fachspezifische Module angereichert, um damit die ideale Basis für die dann folgende Masterarbeit zu liefern

Fundamentals and Principles of Musical Telepresence

The idea of playing livemusic with someone abroad represents a major challenge for musicians and sound engineers likewise. Cognitive, technical and purely musical aspects make high demands on a network music performance that should fulfill conditions of a realistic rehearsing scenarios in the same room. In turn the idea of a network music performance has generally been considered as an impracticable application. However, a precise and comprehensive analysis has so far not been published, which equally covers technical, cognitive aspects and their interdependencies equally. In order to give a final and valid statement about the feasibility of distributed real time music we take any of such relevant aspect into consideration and explain it accordingly to the reader. Finally we conclude that in recent wide area networks remote music sessions are possible assuming an awareness of latency conditions and appropriate interaction categories